Thank you for the OMD, brilliant compilation.
I have the OMD CD Navigation The B-Sides, that contains "Concrete Hands", is that any use to you or is your rip from that album??
			
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 Here's another band that I had a hard time getting into, both vocally and musically, there was always something off, I could never understand reasons for their success. With the years mounting, though, I feel I started to understand them better. Funnily enough, it's the B-sides that I gravitate towards - the songs are generally better than those on albums while the experimental tracks are among the best I heard from the decade, I pity the fact they only did a handful of them.
 Here's another band that I had a hard time getting into, both vocally and musically, there was always something off, I could never understand reasons for their success. With the years mounting, though, I feel I started to understand them better. Funnily enough, it's the B-sides that I gravitate towards - the songs are generally better than those on albums while the experimental tracks are among the best I heard from the decade, I pity the fact they only did a handful of them. Otherwise it's pretty much all there, and the interesting thing is that there were next to no international variations in B-sides - what was released in the UK was simply copied everywhere else. Quite a difference from the late 1970s - early 1980s when the B-sides could differ from country to country wildly.
 Otherwise it's pretty much all there, and the interesting thing is that there were next to no international variations in B-sides - what was released in the UK was simply copied everywhere else. Quite a difference from the late 1970s - early 1980s when the B-sides could differ from country to country wildly.negative1 wrote:i really like tears for fears.
but their b-sides are pretty subpar.
(ok, a couple are good), but the experimental parts,
and instrumentals aren't that great.
the band doesn't ever want to release 'wino' or
other ones either.
anyways, thanks for posting another great collection.
later
-1


moni wrote:Another one missing from the box set was Saxophones As Opiates because they didn't like that yet they included Wino

Passing_Stranger wrote:Yes, "Wino" was released on the "deluxe" of "The hurting" but how deluxe is that when it didn't include the original "We are broken" and "Ideas as opiates" is not the B-side version, as indicated, but an alternative LP mix? I'm constantly amazed by these blunders from the record companies. And they didn't even offer a replacement disc! Crazy stuff.
Speaking of the TFF B-sides, they're simply quirkier and more off the wall than the songs on LPs. "We are broken" is great, the original "Prisoner" is much better than on the LP, the instrumentals are ace, even the piano songs feature a much better vocals. And I agree with moni, B-sides from 1993 onwards are top-notch, in fact they're better than the A-sides to me. Interesting how it turns out and TFF look very intriguing for that.
P.S. As for the full list of the contents of these collections for reference, I'll do it sometime soon
negative1 wrote:now the really crazy thing is that they don't like 'the way you are' either,
because they felt like it was a stop gap song, that didn't raise the bar
on their music.
it is literally my 2nd favorite song from them, especially the extended version.

 Meanwhile the service resumes with yet another biggie, one of the brightest stars of their era and an enduring influence even today. Eurythmics have a vast legacy which is criminally underappreciated and not fully represented digitally. It really is a puzzle - bands and artists nowadays exploit their catalogue to the max, while this duo only seldomly received attention. What is especially sad is that their experimental work of the early 1980s is practically neglected - shoddily featured on CDs and rarely talked about, while being some of the bravest explorations in the field of electronic sound at the time. I don't understand what's going on, and this little collection is a way to rectify the oft-neglected 7" format of their work.
 Meanwhile the service resumes with yet another biggie, one of the brightest stars of their era and an enduring influence even today. Eurythmics have a vast legacy which is criminally underappreciated and not fully represented digitally. It really is a puzzle - bands and artists nowadays exploit their catalogue to the max, while this duo only seldomly received attention. What is especially sad is that their experimental work of the early 1980s is practically neglected - shoddily featured on CDs and rarely talked about, while being some of the bravest explorations in the field of electronic sound at the time. I don't understand what's going on, and this little collection is a way to rectify the oft-neglected 7" format of their work.Users browsing this forum: Google Adsense [Bot] and 2 guests