I'm very curious to see other peoples' lists this year for a few reasons. 1 - It's probably been my crazy-busiest year ever and I know I've likely missed some great stuff. 2 - I stopped participating on a music hub with some friends here and just didn't get the cross-polination. 3 - I'm wondering if that lack of cross-polination made our lists more interestingly divergent this year. 4 - It's likely the stuff I missed are the more obscure gems that I'd love to hear from others about. 5 - I have total insomnia right now and can't think of anything better to do than blather on about this topic, so apologies in advance.
For me, the year was about 3 incredible albums that were a cut above all the rest, 2 more real favorites that were a cut below, then about 18 more albums I really liked but can't really chose between and rank. And that number is indeed just 18 more. The OCD in me tried to make it a nice even top 25, but there's just nothing more there I'd put on. In fact, I'll make an Omissions list of 11 albums I wanted to put on at one time or another, but they simply ended up irking me after further listens. And in-between these two poles are probably another 25 albums that bear neither favorable mention nor scorn - lots of good stuff this year though.
My Top Three By Far:
1. The Horrors - Primary Colours - if this were still the age of vinyl, I'd be calling the first 5 or 6 tracks one of the greatest A-sides ever composed, and these don't even include a more well-known single on the last track of the album. One song after another, they just keep cranking things up to a dark and swirly 11. So dark and swirly in fact that this album actually had me listening more to MBV's Loveless as well. Primary Colours didn't fully catch immediately but kept climbing up the list - it just has great stickiness. Awesome lift of Jay & the Americans' "She Cried" lyrics on an uber-cool soliloquy halfway thru "Who Can Say"...
And when I told her I didn't love her anymore...she cried
And when I told her her kisses were not like before...she cried
And when I told her another girl had caught my eye...she cried
And then I kissed her...with a kiss that could only mean...goodbye
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2. The Joy Formidable - A Balloon Called Moaning - I suppose it's an upset that the band I call my favorite in the world at this moment doesn't even have my vote for favorite album of the year. First, they're calling it a mini-album, but I don't know what the distinction is. It's a great fucking album. A really nice bit of power-trio post-punk. I suppose I'm inevitably elevating them by having seen them at a fantastic gig in Manchester and hung out afterwards (ahem), but I think people over here will have their eyes opened too on their first visit in early January. Well, at least the few people able to see their 4 small NYC gigs - highly recommended.
3. The Phantom Band - Checkmate Savage - In the beginning of the year, I didn't think anything could topple the incredible creativity of this album. There's still nothing else that sounds like it this year despite me saying they fuse elements of the Velvet Underground, Television, maybe a little Wire, and just a tiny dusting of Faust-like experimentalism. It took 3-4 listens to really get into it, and just like Fleet Foxes for me last year, it finally soaked in when I [i]wasn't[/i] intently listening to it. It was like a curtain was suddenly drawn while I was staring out an airplane window with my headphones on one night..."Holy shit, this stuff is good."
The Other Two:
4. Morton Valence - Bob and Veronica Ride Again - an album's album with a story that has a beginning, middle and end. Sweet duets. Another fresh difference from the pack.
5. Brakes - Touchdown - with no BSP album besides the Man of Aran soundtrack, this was the next best thing. It even has real 3-minute pop songs rather than just their more-typical quick alt-country outbursts.
The Best of the Rest:
Artic Monkeys - Humbug - good blend-in of Last Shadow Puppets style
Asteroid No. 4 - These Flowers of Ours… - retro flower power goodness
Fight Like Apes - And the Mystery of the Golden Medallion - ballsie...um...ballsey?
Franz Ferdinand - Tonight: Franz Ferdinand - very mainstream but very tight, quality
Fuck Buttons - Tarot Sport - my top trippy experimental album
Howling Bells - Radio Wars - my Duke Spirit of 2009
I Was A King - I Was A King - could have been #6 on my list, need more listens
Julian Casablancas - Phrazes for the Young - surprise of the year, thought he was done
Maps - Turning the Mind - okay, this could be #6 on my list, great album
Richard Hawley - Truelove's Gutter - brilliant, when I need a change of pace
Sonic Youth - The Eternal - their most-accessible album IMHO
The Big Pink - A Brief History of Love - hard to describe, and that's good
The Decemberists - The Hazards of Love - another album's album
The Mary Onettes - Islands - won't win any new fans but good enough for my list
The Twilight Sad - Forget the Night Ahead - just snuck on the list as leader of a pack of trippy rockers
The Xx - The Xx - similar hard to describe category as Big Pink
White Lies - To Lose My Life - maybe it's Joy Division pastiche but it's still good
Yeah Yeah Yeahs - It's Blitz! - It's Blitz!
Below are the Omissions - albums that really frustrated me for various reasons:
Metric - Fantasies - nothing new, very "Metric" I suppose but I kept thinking what's the point?
stellastarr* - Civilized - really wanted to like it, too many annoying vocals.
Japandroids - Post-Nothing - liked it at first, wanted to beat their heads in later.
Kasabian - The West Rider Pauper Lunatic Asylum - supposedly a return to 1st album form but couldn't get into it.
Antlers - Hospice - had a hard time choosing which swirly, experimental "Antlers" I liked more...
Crystal Antlers - Tentacles - ended up liking neither.
Bat for Lashes - Two Suns - I thought cool inventive female pop = respite from the indie boys but it bored after awhile.
Florence and the Machine - Lungs - See above.
La Roux - La Roux - I should like this but could never shed the feeling I was being fed something.
Little Boots - Hands - see above, two really good songs, too much other standard poptart fare.
Passion Pit - Manners - again, a bunch of new wavey elements I should like but just didn't click for me.
