by react010 » Sun Sep 11, 2005 2:15 pm
Here in Europe Italo had it's peak in 1983 when they were all over the charts with even a lot of singles making it to no.1. As being a radio-dj in those days (on an italo/disco station) i must say that the term italo was allready used in the beginning of 1982. The ZYX label from germany started to jump in on these commercial succeses by releasing compilation albums with the name "The Best Of Italo Disco" (with only originally italian produced disco on them).
So they didn't really invent the term 'Italo' but did come up with 'Italo-Disco' which in the years after 1983 was really a sort of an umbrella for all sorts of synth based European disco, lots that did not do more then copy the original italo sound.
In fact 'Italian Disco' started in 1978 with La Bionda's 'One For You, One For Me' and between 1978-1983 with a lot more bands (Peter Jacques Band, Azoto, Righeira, Macho, Revanche, Vivien Vee, Capricorn, Gary Low & Gazebo, etc). For the die-hard italo fans it now seems that they saw 1983 as the best italo year. After that many thought it went to commercial, and with too many artists wanting to jump on the bandwagon, an made crap records that didn't chart over here.
Even in the Italo scene there were a few different styles from Italy alone, there was the happy holiday-feeling italosound, but there was also a lot of 'much more sophisticated' italo 12"s released but they were more underground then the commercial stuff (and with more beats-per-minute).
In a way these underground italo tracks contributed to the beginning of house/dance/trance/techno music. But personally i think that all the Bobby-O (Bobby Orlando) produced and made 12"s contributed more to the house-sound then italo did (listening back to the whole 1980-1988 era). One great thing about dance music is that it is always developing, and this development has never stopped really, so never a dull moment !! (if you that kinda music that is).
The gay clubs were always heavy on top of the whole dance/disco/italo scene and that's where all the trends started. And to my knowledge Italo (or Italian Disco Music) was being imported a lot in the Usa clubs from 1980 onwards because the 'official' disco was declared dead by then, and they just wanted those records to keep on coming, and to be able to keep on dancing to disco.
For me the dance subcultures were very clearly defined up until about 1983-1984 (Disco, Euro, New-Wave, Hi-NRG (officially from the UK Passion Label) and so forth. But after that everybody started calling nearly all dance music all sorts of names, so it's a bit confusing really. For me Italo is the original italian disco, and not the groups from all over (Germany, etc) that started out just copying italian disco because it was so popular in the charts.
All a matter of opinion though [;)]