by Frau_Blucher » Mon Oct 15, 2007 11:19 pm
Caught it yesterday in NYC. I thought it was a completely kick-ass, immersive experience to see it again in a theater. There are so many cool new things in the movie for an avid fan to notice and enjoy, but its original flavor never wavers to let on that this is an overt redo. Very deftly done. Dunno if that makes sense, but I think it was critical to not mess with the original vibe.
The biggest thing I noticed wasn't any individual change but how perfectly crafted every single scene was in that movie. You can totally see how Ridley Scott must have been a massive megalomaniacal pain-in-the-ass during filming. But the payoff is that each scene could almost be an individual focus of study in a film class. Every set detail, the soundtrack, the richness of character development...completely fucking mesmerizing. It really is "of a single piece".
Lots of cool small edits too as noted in many of the formal reviews. I've probably forgotten some by now. Ones I noticed:
- greatly extended unicorn scene: starts with Deckard staring off his piano then cuts into the unicorn dream, cuts back out to him still staring, then back to the scene again. Really emphasizes that he's dreaming of electric sheep...um, unicorn.
- the Zhora shooting was perfectly done. It didn't feel "redone" at all. Really really dramatic in the theater too.
- Batty saying "I want more life...father." Him saying "fucker" never seemed to make much sense in the original, except to add more menace.
- the dove flying off at the end of the movie: nicely matted into the actual movie surroundings now
- just a few more bits of air traffic in some FX scenes: this made the whole movie seem more populated and real. Ditto with the sheeting rain that wasn't there in some of the flying scenes.
- extended street scenes, especially the one with the dancers in hockey masks: didn't really add anything to the movie but kinda cool.
- tons of small dialogue adds or fixes: Hassan's lips actually match what he's saying; the attendant at Kowalski's apartment says "Kowalski" as he lets Deckard in; Batty's saying "Kinship" as he grabs Deckard on the roof seems clearer.
Finally, I can't tell if Deckard looking at Rachele's "childhood" picture was any different or if it was just clearer because of the dark theater and great sound system, but it sure seemed a lot clearer that the picture just slightly moves and you hear the sounds of kids playing. The original voiceover definitely wiped out that whole effect. I think it's super dramatic now. I don't think there's any question about the voiceover or no-voiceover choice anymore. It seems widely documented that the studio put that in to help out the "stupid" audience, but it's a classic subtraction by addition - it was intrusive, almost like someone telling you "Hey, this is a movie" (okay, I know it is), and it made you miss a lot of the director's intent to focus on what's actually happening in the scene. But hey, if you prefer the voiceover, I guess you're validating the studios' impressions of the typical audience. [}:)]
Massive BR geek here obviously. Sorry to gush. [:I]