by club80 » Sat Feb 23, 2008 6:27 am
[quote][i]Originally posted by SuNomi[/i]
<br>Wall Of Voodoo's first incarnation was by far the most unique with Stan Ridgway's cinematic sensibilities and twangy vocal delivery. But all the same, I remember being surprised at how "Seven Days In Sammystown" managed to be a fully realized departure while maintaining WOV's darker edge. I think had they changed the name (like New Order did) they would've been more successful as so many people just couldn't shake Stan's association with it.
On the other hand, I can't imagine Black Flag without Henry Rollins
stalking the stage like a wild predator. Or the Buzzcocks without Pete Shelley's sweet-natured angst.
[/quote]
Two great examples, SuNomi!
The original Keith Morris incarnation of Black Flag was very good. To me, they were more punk than hardcore during that period.
Obviously, the Pete Shelley version of Buzzcocks is the classic version but the Howard Devoto version was great too. The recordings available for that timeframe were very raw (Spiral Scratch EP and the later release of the Time's Up LP). Very, VERY worth getting if you've never heard it.
We didn't sell a lot of records, but somehow we left an impression.
-Johnny Ramone-