by Jeffrey » Wed May 09, 2012 2:27 am
It's very tough for bands in that if they stay the same they are criticized for it; while, on the other hand, if they change, they might completely alienate their core audience. I think what Al did was very interesting as he released some 12-inches on Wax Trax afterwards that kind of were like "With Sympathy" but still a bit different. I thought "Twitch" was an excellent bridge between the past and the future of what the band was to become. I have to admit, that I really missed the old Ministry when they went into their "Apocolypso" stage. Still, Al kept the transistion going because he gave us songs like "Land of Rape and Honey" and "You Know What You Are" which sounded like they were tracks from the "Twitch" sessions. Over the years, I did begin to give up hope that Ministry would return to their once roots. Al ruined his voice with so much abuse (hear the remake to his classic "Everyday Is Halloween") and then became stuck on G.W. Bush to the point where it was like, "Oh Brother!!!! Not again with politics!!!!!" Al did "(Alien)ate" his old audience.
I lament not having a remastered "With Sympathy" with those great 12-inch versions of "Work For Love" and "I Wanted To Tell Her" included. To me it's a shame and a pity that he hates this work so much. I miss his fake British accent on the tracks and those great synth lines.
Sorry, I kind of rambled here and got away from the subject at hand. Yeah, I believe Ministry could have built on their classic "With Sympathy" sound. The man had great ideas and a true sence of the aggressive melody.
Oh well, what are you going to do? It's his choice to do whatever he wants but my choice to suffer because of it.
Jeffrey